PRINTING PROCESSES

This project started with a simple but meaningful intention: to create deeply personal Christmas gifts from photographs that already existed. Instead of making new images with a camera, we chose to translate old family photographs onto glass, creating ambrotype-style positives using Zebra glass dry plates. What makes this process special is that no camera is used at any stage. The image is recreated entirely through scanning, tonal preparation, contact printing, chemistry, and optics. It is a slow, deliberate process rooted in 19th-century photographic principles, adapted carefully for modern materials. Below is the full, exact workflow we used.   What You need to Get Started Source...

Technique documented by Tom Lee (UK) This project started with a simple but meaningful intention: to create deeply personal Christmas gifts from photographs that already existed. Instead of making new images with a camera, we chose to translate old family photographs onto glass, creating ambrotype-style positives using Zebra glass dry plates. What makes this process special is that no camera is used at any stage. The image is recreated entirely through scanning, tonal preparation, contact printing, chemistry, and optics. It is a slow, deliberate process rooted in 19th-century photographic principles, adapted carefully for modern materials. Below is the full, exact workflow we used. What...

Adrian Anderson has been using Zebra Dry Plates for quite some time now, and he absolutely loves them. While he plans to use a camera to expose them eventually, the cost of large-format photography has led him to explore an alternative approach: contact printing. This method allows him to produce beautiful positive plates using digital images, and I want to take a moment to appreciate Adrian Anderson’s invaluable contribution to this process. His meticulous research and experimentation have provided a solid foundation for anyone looking to try this technique. Thanks to Adrian’s work, it’s clear that you don’t need an...